Got the Jimmy Legs

We sail tonight for Singapore

I'm off to Asia for a week! What an exotic location to go sit in a faceless office building and share Powerpoint presentations! I am pleased to see it will actually be hotter here than this equatorial city. I have a side trip to Hong Kong that will also afford me much opportunity for board room-gazing and airport line-waiting. If anything interesting happens, I'm sure I'll post about it. If you don't see anything here for the next week, you'll know why.

I don't wanna live to be thirty-four

Buzz and I played a brief set at Club Europa last night, but not the club you might have seen many notable shows in the past (Shellac, Melt Banana, Lightning Bolt). No, our show was down on the ground floor. Turns out a couple weeks ago Europa renovated the lower bar and turned it into a little venue in its own right. Gone is the pool table, gone are the tables and tubular metal bar stools. The bar has been shortened, lights have been dimmed, red velvet banquettes brought in and a somewhat awkwardly-designed stage has taken their place. This came as a relief to me, I had been dreading the thought of our lil two-man operation trying to plug away in the cavernous upstairs space. Best of all they didn't charge a cover, marking 2 locations I now know of (along with GBM) that have free shows around here. I don't know if they'll keep that up there, but it was a fun time.

After the show we scampered over to Club Exit, where the F Yeah Fest was winding up its tour. The headliners were the Circle Jerks, yet another reunited band from days of yore back on the sing-for-your-supper circuit. Keith Morris still has the voice, but those dreadlocks are nasty. I guess, better than a mohawk, extremely long, scroungy white-guy dreadlocks are the ultimate physical proof that you probably don't have a regular day job. They could still play pretty fast, though they played a version of "Back Against the Wall" that bordered on reggae, it was so slow. How odd. Odder, they closed the show by playing what I figure was every single song that Morris performed when he was a founding member of Black Flag. At first it was cool, but then it just got weird. Why so many Black Flag songs? They're awesome songs, and I like Morris' voice way more than I ever liked Rollins (though my favorite Flag vocalist is still Ron Reyes), but it became like a bizarre idol-worship move, having the Circle Jerks play backup to the "An Evening with Keith Morris" show.

Perhaps the weirdest thing, however, to come out of this show was the revelation that the very fat, Cpl Henry Blake-style fishing hat, and mountain-man beard was none other than ZanderSchloss, whom geeks like me might better recognize as the character Kevin from Repo Man (the super geeky guy Otto works with at the grocery store).

With the quickness

Today's office phrase I would most like to ban for the rest of the century: "Quick Question"

Offense: It is always a lie, and an impudent lie at that, since in its two-word phrasing it defines the shortest possible time spent reasoning and responding. Yet, the questions and the people who utter this forbidden phrase always end up taking forever.

A true quick question would be, "Should I get out of your face?"

YES.

Or, "Am I annoying you?"

YES.

This shit just dropped right out of the sky

On Monday evening, as we were winding down after band practice, Buzz was heard to remark, "Ya know, we should book some shows soon." As usual, the booking gods heard him and dropped a show right in our laps. Our pals in the bristling 500ma asked us to fill out their show at the mammoth Club Europa in Greenpoint Brooklyn. It's coming up quick, this Sunday at 7:00PM. More details to follow, but for the time being I'm trying to get Buzz to mention how badly we need a PA, new amps and a pony.

Motico and 500ma
other bands TBA
Sunday, July 13th, 2008
Club Europa
98 Meserole Ave., (corner of Manhattan Ave.)
Brooklyn, NY 11222
tel. (718) 383-5723
G train at Nassau
7:00PM

And I looked and I saw that it was good

One of the first times I took the J train out to the Halsey station, one of the many reasons I felt like I had stepped off the map was the station itself. All the stations prior to it (and after it if you get to Broadway Junction) have decorative colored glass panels adorning the platforms. Halsey had no such thing, favoring beige-painted solid walls, interrupted only by a small section of chain-link fencing at one end (and there's probably some code thing that insists on this). Because of this disparity, Halsey seemed especially forlorn, like the MTA just didn't care enough about our little stop.

Of course, now that I've lived here a couple years, I don't even notice the walls, unless somebody's tagged it. I've seen far more depressing stations than mine (several on the M line in mid-Bushwick are particularly uninspiring), and I would rather the MTA spent its money fixing the inside of the station (where water tends to pool deeply around the Metrocard vending machines when it rains) rather than give us something purely cosmetic.

But since none of that seems to be happening any time soon, I'm happy to see our station upgraded to the level of, say, the Kosciuszko station. The panels looks very lovely, and the other people on the platform seemed to be pleased by it as well. Is it a sign of increased gentrification here? Or did the MTA just have a lot of leftover panels lying around and they needed the storage space (I note that the panels are all different, unlike most other stations). Probably no special agenda here, I'll know gentrification has stuck on Halsey when the Rite Aid actually stocks things properly.